Oil Printing Water Pigment
Oil Printing Water Pigment (OPWP) is a liquid pigment that is used in the printing process. Unlike traditional pigments, it is easy to use and dries quickly. In addition, OPWP is very inexpensive, and you can use it for both fine art and commercial purposes.
Heat set printing
Heat set printing uses volatile oils to create a film of ink on paper. This film is then passed through an oven to set the ink. The process is different from traditional litho printing, which uses water-based inks. Heat set printing uses oil-based inks to create a smoother, more uniform finish. It also offers better rub-off characteristics.
This method of printing uses a layer of ink that prevents it from absorbing into the paper. This prevents the ink from bleeding or discoloring the paper. In addition to being oil-based, heatset inks also need evaporation to dry. Various resins, waxes, and additives are also used in heatset printing. This method is ideal for large, high-volume production.
Both heatset printing and coldset printing use the same printing process, but the two methods are different in how they dry the ink. The former dries the ink through evaporation Oil Printing Water Pigment and coldset prints dry through absorption into the paper. Coldset printing is most commonly used on uncoated paper stocks and uses less energy than heatset.
Gamblin
The Gamblin Artists Colors range of oil colours includes 97 colours in 37ml tubes. These are organised into four colour groups, which include whites, greys and blacks. Suitable for both beginners and advanced artists, this range includes a wide variety of pigments for every conceivable need.
Gamblin uses earth-derived pigments in its production. These colors are similar to those used by the Impressionist painters. These pigments have a high pigment load and low oil absorption, making them ideal for painting light or natural tones. Earth-toned pigments are mostly opaque and contain two or three whites. Gamblin’s whites include the Artist Oil Range, as well as FastMatte White Alkyd Oil Paint.
Gamblin Artists Colors also offers a range of dry pigments. These are suitable for a variety of decorative painting applications and can be mixed with oil to produce a stiff paste. These pigments should be mixed with a glass muller or a smooth glass palette.
Gamblin Solvent-Free Fluid gives oil colors more flow and gloss, while reducing drying time. It is derived from safflower oil and contains no petroleum distillates. It should be used in moderation in conjunction with oil colors and be added to the mix at 25 percent by volume. This solvent is available in 4.2 oz, 8.5 oz and 16.9 oz bottles.
Akua Liquid Pigment
Akua liquid pigment for oil printing is a premium ink that delivers superior print quality. The ink was developed by professional printmaker Susan Rostow and William Jung, who were also responsible for the creation of AKUA inks. This product is made from high-quality, light-fast pigments and is designed to meet the requirements of professional printers.
Akua Liquid Pigment is formulated with lightfast pigments, pure gum binders, and honey. This non-toxic liquid pigment is easy to clean and requires only water and soap to maintain its quality. It is suitable for a variety of techniques, including monotype and woodcut. It is slow drying and is compatible with both reductive and additive monotype techniques.
Akua Liquid Pigment is free of driers and fillers. It is also temperature-sensitive. In warm environments, Akua Liquid Pigment becomes softer while in cold environments, it hardens. This is similar to the behavior of high-quality olive oil. If you are not sure about the consistency of Akua Liquid Pigment for oil printing, you can use Akua Blending Medium to make it thinner.
The inks from Akua are designed to be easy to use and clean. They can be cleaned with a clean rag or with soap and water. They can also be re-soaked right after printing. Oil-based ink is easier to wipe off than water-based ink, so it is important to use a rag when removing it.
Akua Intaglio Ink is designed for intaglio printing, but is suitable Oil Printing Water Pigment for relief printing as well. The Akua Intaglio Ink comes in a pot that’s about the same size as a tablespoon of oil-based letterpress ink. It’s a buttery ink, but it isn’t quite as stiff as oil-based letterpress ink. This ink rolls easily and delivers crisp, clean prints.
Akua Water-based Ink is similar to oil-based ink, with the only difference being how the ink is cleaned. When using the water-based ink, you use diluted dish soap to clean the ink from the surface. The other aspects of the printmaking process remain the same. However, you can experiment with the ink’s transparency and thickness to achieve the desired results.
Susan and William were searching for an alternative to oil-based inks, and found few professional quality products. In addition, few water-based inks were safe for use in a home studio. They could not find a good water-based ink for wiping intaglio plates, or for working with monotype plates that have a long open time. The solution was to develop a water-based ink that offered both safety and professional quality.